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Office Hours

T 02:30 PM-04:00 PM
W 01:30 PM-04:00 PM
Degree Program University
Ph.D. University of Notre Dame

My Siena Experience

My Teaching Philosophy

 In Philosophy, there is the idea of a tabula rasa, or empty slate. That idea made its way into theories of teaching long ago--that students came to teachers as empty slates to be "written upon." I think, however, that in good classes, we all bring our chalk to do writing on slates that already have writing on them. We can erase, rephrase, and add a good deal to each other in the course of our time together.

What I Love About Siena

 I love the size of Siena. On one hand, I get to see and work with students from their beginning courses through to their senior year. It's an amazing experience to watch and help them grow for four years. That is not something I could say about bigger schools where I've worked. On the other, the school is big enough that I am constantly meeting new faces and hopefully making connections with students who might want to take another of my classes.

My Favorite Courses to Teach

 I think all the courses I teach at Siena are my favorites. I get as much joy out of explaining the importance of writing and analyzing literature in English 011 as I do in my upper-level classes about film or contemporary British narrative.

My Professional Experience

Year Title University
2016 - Now Professor of English and Film Studies Siena College
2012 - Now Associate Professor of English Siena College
2006 - 2012 Assistant Professor Siena College

Articles & Book Reviews

  • "The Gender of Form and British Modernism: Rebecca West's Vorticism and BLAST"
    Women's Studies: An Interdisciplinary Journal
    2016
  • "The Invasion of the Homeland: Duncan McLean and Global Capital"
    Scottish Literary Journal
    2011
  • "Disruptive Testimonies: The Stakes of Surrealist Experience in Breton and Carrington"
    Symposium: A Quarterly Journal of Modern Literatures
    2010

Books & Book Chapters

  • The Arena Concert
    Bloomsbury
    2015
  • Modernism and Close Reading

    2014
  • Write in Tune: Contemporary Music and Fiction
    Bloomsbury
    2014
  • Resonances: Noise and Contemporary Music
    Bloomsbury
    2013
  • The Music Documentary: Acid Rock to Electropop
    Routledge
    2013

Presentations

  • Adorno and the Noise of Technological Reproduction
    2014
    Modernist Studies Association Conference, Pittsburgh, Pennsylvania
  • Broadcast Traces/Tracing Broadcasting in Modernity
    2011
    Modernist Studies Association Conference, Buffalo, New York
  • Form After Adorno
    2010
    Northeast Modern Language Association Conference, Montreal, Canada
  • The Anxiety of Authenticity in Post-Punk British Films
    2010
    Sight and Sound Conference, Manchester, Great Britain
  • The Broken Home/land in Contemporary Scottish Fiction
    2009
    Northeast Modern Language Associatio, Boston, Massachusetts
  • The Politics of New Formalism
    2009
    Modernist Studies Association in Montreal, Montreal, Canada
  • Barnes and Love at the End of Postmodernism
    2008
    Northeast Modern Language Association Conference, Buffalo, New York
  • Before the End: Romantic Irony and Aesthetic Experience in Late Modernism and Surrealism
    2008
    Modernist Studies Association Conference, Nashville, Tennessee
  • After the Scottish Devolution: The Contemporary Novel
    2006
    Northeast Modern Language Association Conference, Philadelphia, Pennsylvania
  • Modernism and the State: New Reflections on Art and Ideology
    2006
    Modernist Studies Association at University of Tulsa, Tulsa, Oklahoma